Submissions

Qualifications:

 

I only represent writers not yet published, or those not pubbed in the last three years at a traditional publishing house. (Yes, I am crazy. Ask Dr. Moon, my psychiatrist.) Examples of houses I consider traditional, would be those that pay an advance of than $1,000 or more.

 

Queries:

 

Fiction: You must have a completed manuscript in order to query. Make sure I’m currently representing what you write. No exceptions, please! The list is at the bottom of the page. (I change the list periodically, and will announce changes in my newsletter.) Regular fiction needs to be at least 80,000 words. Category fiction (Harlequin) should be 50-55,000 words. Young Adult should be at least 50,000 words.

 

Nonfiction: You must have a properly formatted proposal in order to query. (Find a sample proposal you can use as a template at my writers’ site: www.perilsofpublishing.com). You must also have two completed chapters.

 

Note: If writers don't follow the guidelines, I can surmise one of two things: they have no idea what the guidelines are, because they didn't bother to come to my site to see if they qualify to send a query; or: they came, they read, they disregarded. (Both are as unattractive as I am when I wake up in the morning.) Don't e-mail me with excuses. Either follow the rules, or you get an automatic NO! (Oh, the power.)

  • The agency accepts e-mail queries only at: kmortimer@mortimerliterary.com 
  • Type ‘Query’ and the title of your manuscript in the subject line.
  • DO NOT send proposals, pages, or a formal synopsis with your query, please. If I want them, I’ll ask for them.

 

Lead Time:

On weekdays, I should get back to you within 48 hours. Due to certain interviews that produce more queries than normal, it could take up to 5 days.

 

What I’m Looking For in a Writer (other than great writing):

  • Go-to guys and gals. Writers who wanna write for a living. Writers who aren’t afraid of public speaking and seek out marketing opportunities. Writers who consider editing suggestions. Those dedicated to sending out their best work, and only their best work, even if it takes longer. (Trust me; I’m more impatient than most, but some things are worth the wait. Ah, like publication.)

 

  • Writers who write. You're thinkin: duh! Not so. Some writers have a bevy of manuscripts written and they sit on ’em. The writer nests comfortably for years, and is often unwilling to come up with fresh stuff. People, if the manuscripts haven’t hatched yet, they ain’t gonna hatch. Doesn't mean you can’t sell ’em later. Now may be a bad time. (Or it may be bad writing….) -- Hint: At your “day job,” when you finish a task, you start another. (Unless you’d rather spend time at the Unemployment Office.) If you're a stay-at-home parent caring for your kidlets, you don’t feed ’em breakfast, then think, they're good for the day. At lunchtime, you feed the rugrats again. (Unless you’d rather spend time at the Child Protective Services Office.) Writing is a constant cycle. Does an artist finish painting a picture, then stop painting until that canvas sells? No. They start another painting. (Unless they’d rather spend time at the Welfare Office.)

 

  • Writers looking for more than an “all business” agent. I can’t help who I am. I know I’m not for everyone. I get involved. Your manuscript is important to me, but your career is more important. Your well being as a person even tops that. Some agents in the bigger agencies will drop you if your work doesn't sell in 3 months. I’ll drop you for two reasons: you stop writing, or we find we have some major personality conflict. In an attempt to avoid this, before I sign a writer, I HAVE to either meet them, or have a long phone conversation to see if we mesh well. This is a partnership to me—like a marriage. I’d rather leave someone at the altar than get a divorce. (I’ve been through enough divorces to know they can be … unpleasant.) You have the same option. My agency contract is not for a specified length of time. If either of us wants out, we just notify the other party, and that’s it.

 

If any of that makes your skin crawl, then I’m not the agent for you. If you're the kind of writer I’m looking for, you have a better shot at representation if I meet ya, up-close-and-personal, so, I hope to see you at a conference. I do understand some of you have physical/mental limitations. (I have OCDs that make Monk look like a lightweight, and bipolar disorder. I overcome those through sheer stubbornness … and Xanax.) I have a calendar under “Conferences” of where I’ll be. If you can’t afford a conference, and you really wanna meet me, find a way to afford one.

 

An Example of My Determination:

When I’d juuust opened for business, my first client was up for a Golden Heart Award and begged me to attend the RWA National Conference, but I’d promised myself I wouldn’t use personal finances to fund my literary business. I told her I couldn’t go. Several times. She kept at me and I decided I’d find a way to attend, because it was imperative to her. I went; she won. How’d I raise the money? I sold my wedding china on eBay. (Yep, even the completer sets. RWA Nationals are freakin’ expensive, dudes!). The ladies are gasping, and the guys are wonderin’ what the big deal is. Either way, I hope it shows my level of commitment to my clients, whom I see as extended family. (It’s that darn Italian-thing. Sigh.) If you have the same level of commitment to your career as I have to my clients, we might make a great team. (See my conference page for dates I’m booked, or ask me to speak/teach for your writers’ organization. I like small conferences better than big ones.)

 

Acquisitions List:

 

In all categories below unless otherwise mentioned, I represent Secular and Inspirational Works, with or without romance. I like fast-paced stories. I don’t like tearjerkers (I shed enough tears bein’ a jerk in the first half of my life.), not into “kids with cancer” stories, no plots seeping anguish and depression (been there, done that), and I’m not into most of the “warm-and-fuzzy” kind of plots either. (Guess I’m cold and … what’s the opposite of fuzzy?)

 

  • Contemporary Romance - Single Title and Category
  • Historical Romance - Single Title and Category
  • Mainstream/General Fiction
  • Paranormal (Dark and Light—I ain’t a bigot)
  • Thrillers/Suspense
  • Young Adult (protagonist is 16 years old and above) (closed to Inspirational YA right now)
  • Nonfiction – I’ll need a proper proposal; and you’ll need either a killer platform, or a gigantic hook. I’m open to many categories; I’m eclectic. Send a query on most any subject. I don’t represent books that are: anti-God, anti-Jesus, anti-gun, anti-military, anti-liberating wars, or anti-the-Greatest-Freakin’-Country-on-the-Planet. (The United States of America.)

 

 

Fiction - Not looking for at this time:

  • Chick-Lit (what I refer to as: works of women whining) (Sorry.)
  • Children’s Books/Picture Books
  • Comedy
  • Crime
  • Erotica or Romantica
  • Fantasy/Urban Fantasy
  • Historical Fiction
  • Historical Westerns
  • Horror
  • Inspirational Young Adult
  • Deep, Thought-Provoking Literature (Don’t want no illiterates provokin’ my deep thoughts.)
  • Middle Grade (for me: protagonist under the age of 16)
  • Mysteries
  • Novellas
  • Poetry
  • Romantic Comedy
  • Sci-Fi
  • Screenplays
  • Short Stories or Collections of Short Stories/Essays
  • Speculative Fiction
  • Women’s Fiction